For a small island country located far from the centers of street dance culture, the Philippines plays an outsize role in the scene worldwide. Legit Status, a team founded in 2009 by coach Vimi Rivera, has continued that reputation. This August they captured the bronze in the top category of Hip Hop International, one of the world’s biggest street dance competitions. Every year, around 50 countries descend on the West coast of America to battle it out in a dozen different categories, and Filipino teams nearly always rank among the top in the mega crew competition, beating out teams from the US, Japan, and other bastions of street dance. “This year had the most intense level of competition,” Rivera says. “It’s crazy”
It can be tough to choose among your favorites, but sometimes you have to. For today’s OPENING ACT, Kayo pits his two highest-rated sneakers—Nike’s Air Vapormax 2019 and the AirMax 720—against each other in an attempt to pick an all-out winner.
Today’s OPENING ACT is an anniversary of sorts, marking Kayo’s return to his roots. We feature the Nike AirMax 720s, which was the same sneaker he used for his first-ever unboxing. And it’s a sneaker that held up well after extensive wear: “I’d wear it a couple of days every week, and I have a lot of shoes, so that says a lot.”
Rainy season in Manila can be a difficult time, but combine that with an endless rush hour and you have every excuse to go full emo. A young Makati-raised artist named Sabadontt is capturing all the feels of these dreaded, water-logged days in a series of pixel art animations. Commuters stuffed in leaky stairwells waiting for an MRT that threatens to never show up. A student trying to hide under her umbrella pauses on an overpass, gazing off in existential crisis. Locals start to shed the day’s struggle in a communal break at the carinderia.
The term “street dance,” when used in the Philippines, is a little complicated since most of it happens on stage or in the studio. But director Mark Valino aims to correct that, bringing these styles back their rightful place. He shoots song-length videos of dancers on sidewalks, stairwells, and literally in the middle of the street. The series mainly focuses on Southeast Asian dancers but also includes dancers from his hometown of Toronto. Ultimately though, it was the Philippines that inspired the whole thing.
Skateboarding. Punk rock. Graffiti. They’re all pretty aggressive subcultures, outlets that allow angry kids to express themselves. And Distort Monsters has been here for all of them since he was little. Whether out in QC on his board during middle school, running around Metro with a can in high school, or penning angsty punk songs all along, it was a way for him to channel his mood into relatively positive ways. And it paid off too, considering that he’s opening his first solo art show this Sunday, courtesy of the good people at Secret Fresh. [Full disclosure: Distort is now part of the Honeycomb team.]
Today we switch things up a bit with OPENING ACT and take a close look at some Star Wars toys. Spolier alert: spoilers everywhere!
Does Kayo have a Star Wars twin?? Not really, but pretty close! K-2SO—the repurposed droid from “Rogue One”—certainly shares a lot in common with Kayo: “I see a lot of myself in his personality. Even his look; he’s bald and has dark skin… That’s why this is the second K-2SO I’ve gotten as a gift.” This particular K-2SO toy is a Funko Pop! bobblehead exclusive from New York Comic Con.
If you don’t pay close attention, there’s a lot of heat catching fire that you’ll miss. But we’ve got your back: ACDMND$ and Nahmean Namsayin‘s “Ice” turned out to be a sleeper hit, ratcheting up a steady number of fans since it dropped in June and breaking through the million man mark this week. The Antipolo squad brought together the perfect combo of earworm hooks and beats that make it hard to forget. (Skinny G‘s thug life glasses are worth noting, too.)
The exhibition is Nada’s fifth solo show, coming off of a hiatus of six years since his fourth. So the title “Homecoming” is fitting, marking his return to the gallery setting. Those familiar with his personal street art style and murals scattered around the San Juan and Quezon City area will be interested to see how his style has evolved. And evolved it has, revealing a secondary meaning to the show’s title: come into the Nada household.
Empty, matte black figures suspended above dust piles in a small, windowless room and a dry faucet on the far end. It’s a bleak scene, one loaded with implications for our future if the world continues on its path. The installation is Dennis Bato‘s “Element Of The Past” show at Vinyl on Vinyl, which opened this week. And although meaning behind this piece of concept art is unclear at first glance, all it takes is a nudging from the artist himself to send its possibilities spiraling. He says it’s about the existence humans might face from the choices we’ve made, specifically the specter of water crises, which Manila only recently suffered through as millions of people faced limited access to water.